"A pocket of unreality, void of the concept of void itself. Your gaze fills it with your flawed preconceptions of what nonexistence must be like - to you, it is a sparkling expanse of starry lights, dancing among the nothingness. To try to step within this space would be just like trying to rewind time before the birth of time: impossible."

• Nonexistent Nullspace description

The Games Foxes Play

(github | view all previous posts | play online in browser on itch.io! - does not feature this week's additions)

TGFP's narrative takes place in a gargantuan, but very monotonous complex of concrete and fluorescent tubes known as Faith's End. Built by no living soul, it is only the product of a primordial force that constantly strives to turn anything basic into complex systems. Left alone, grains of sand turn to pebble, which turn to factories producing deranged, overly complex pieces of engineering that serve zero purpose.

Given this setting, it made quite little sense to build it from a chaotic dungeon generator! I wanted the game's environment to be built out of designed, symetrical and orderly parts, but that coalesce together to form deranged, nonsensical twists and turns where opening a door that leads into a gaping void is just an average day.

To this end, I had to implement a mechanic which many other aspiring roguelike developers have no doubt wrestled with - prefabricated rooms and vaults.

Designed for Maximum Violence

Is it not sumptuous? With this new mechanic (which took surprisingly little time to develop), making new rooms has never been easier. There are now 10 different configurations which the player can find themselves challenged by on their way to face Epsilon, from the very cramped FaithBridge (and its associated Nullspace abyss) to the expansive GrandHall (and its zoomed out view). Some of these, with the "randomflip" tag, will even receive random rotations to vary things up! I could - and will - make many more, but I had something else taking up all my development time.

Making an actual room matrix, and an associated minimap. I know I had this whole cool thing going on about non-euclidean spaces, but at some point, one has to accept that no, it's not a feature - it's a bug.

After paying the considerably high price of reducing all my neurons into a formless grey sludge, I finally achieved this buggy mess that can be brought up by pressing "M". The little purple dot is me. While it certainly works, there are some significant flaws:

• At the very right of the map, one of the rooms spawned on top of a 2x2 room.

• 2x2 rooms never fail to overlap on top of adjacent rooms for one extra pixel column/row, as is seen with the top left room. EDIT: Just fixed this! Turns out the drawing size was incorrect the whole time. Only had to change a single number.

Honestly, I'm very confused. I thought 18x18 was just the double of a 9x9 square, but maybe I am completely clueless.

I am rather proud of making 1x1 rooms work perfectly - these mesh seamlessly, never allowing reality-breaking phasing through walls or overlapping exits. Making 2x2s work alongside them is, however, an unspeakable nightmare.

I'm not one hundred percent sure what I'll do yet. I could find a workaround and review my vision, or I could sit down and try to untangle this mess. I know what the right choice is, but I dread it.

Besides this main project, I also delivered some bugfixes here and there (including a hilarious softlock where the "reanimate enemies on death" Soul mixed with the "reincarnates on death until it is the last foe in the room" enemy caused a... spectacular chain reaction). My "minor nitpicks to polish" document is growing so large it will one day devour the galaxy, so I try to sneak in some quick tweaks when I'm not feeling very motivated to tackle a major implementation. I am also testing out the "Play" font kindly suggested by AleatoricConsonance in the last Sharing Saturday. Not completely sold on it yet, but I quite like it and will be giving it a spin as I continue development.

I am a bit tired, but hopeful for the future. I know my objectives are within my ability. I just need to unsheathe my fork and declare war against the spaghetti code monster which unexperienced-past-me has unwittingly constructed.

"A ruffian with a world inside its head. The unharmonized do express their mediocrity in the strangest ways."

- Harmonic Cyberneticist greeting the player in the Serene Spire

I am not so unlike the protagonist of my own game, esteemed Collectivist. I, too, have a world inside my head, and to incarnate it into reality, I had to learn the mystical runic language of JavaScript, master the fine martial art of Git pushing and pulling, and attain inner peace before the many fatal exceptions thrown at my feeble brain every time I'd try to implement a new mechanic.

"And somehow, by some terrible farce of fate, you did not have perfect intrinsic knowledge of all these things? A single verse of the Harmonic Song contains all knowledge that was, is, and will be. To educate you, perhaps the sixteenth of a single note would have sufficed."

Sadly not. I officially started in the final days of April 2022, and before then, while I had some basic knowledge of arrays, variables and functions in Python, I had never truly given my all to a project. I did not know how to "extend" a class, how to use a browser debugger - or that even was one - and I certainly did not know that using global variables for every single issue was not generally advisable. My first foray into roguelike development was based off the RLTK Rust Tutorial, which, while exceptionally well written, completely went over my head as a non-developer. The Broughlike Tutorial was much more my speed, and, for the first time since I started reading project coding tutorials, I actually understood what I was copy-pasting. With the addition of the intangible currency known as "time", this resulted in a game which, by now, should have named:

The Games Foxes Play

(github | view all Sharing Saturday posts | play online in browser on itch.io!)

"A video game? A ruffian dares believe they can properly capture the Harmony's infinite grace in... digital entertainment?! Fu!"

Indeed. TGFP is all about psionic magic - but more specifically, the power of belief, confidence and identity.

• In a statement on the superiority of mind over matter, there are absolutely zero equippable solid items, and all glitter, sparkles and laser beams are directly derived from a vast assortment of Souls, which serve simultaneously as the items, spells and even currency of the game.

• Divided into six Castes, the player may extract these Souls from each slain enemy, and "incarnate" them to unleash varied magical effects. The depth of this system begins with the inclusion of Legendary souls, which can be assigned to reign over a specific Caste and modify all effects related to that Caste into something completely different.

• In simple terms, it's like have six guns of six different colours, with a whole batch of add-ons to attach, mix and match for each colour.

• The title was chosen to sound mystical - in tone with the surreal themes of the game - and to ask an unanswered question. What games do these foxes play? It is not one of marbles and hula-hoops, I can assure you that.

You can watch a full run in the current version of the game, should you agree with the adage that images speak a thousand words. Surely videos must be worth a million.

Hmm. Rasel might be a tad overpowered.

"Fu! To actually bring this project to fruition, you would need a fraction of the Collective's diligence, who never tires in each and every one of its technological conquests. A fraction which you clearly lack, unless you have a perfectly logical reason explaining why you did absolutely nothing in September and November. Do you truly wish to disperse the Harmony's word through your unimpressive toy, or is this all theatre?"

I forever toe the line between apathy and obsession, and this is reflected through my Git commit history. However, to answer you directly, noble Harmonizer, let me present my:

2022 Retrospective

My first motion to make this game truly mine was the implementation of the glyphic graphic style. It was chosen because I am utterly hopeless at visual art because TGFP's characters and places are so surreal I am not sure how they could be justly represented by concrete sprites. A fully gaseous, titanic tower made out of air currents? A wall that is "void of the concept of void itself"? This game is a grimoire, and the sights within are not meant for mortal sight. Perhaps this artstyle is not minimalism, but rather benevolent censorship.

I've looked at a lot of indie games on Steam with less than 100 reviews, and very often, their screenshots have something off about it. Inconsistent. Even if they put in effort greater than the 30 seconds it takes me to incarnate a new creature, there is a clash between the high-res textures and the cut corners. I did not want to fall in this trap, and went for the cleanest minimalism I could muster - there are still many improvements I want to make in that regard. Suggestions are welcome.

After making a batch of new abilities - and the room they could be obtained in, the Harmonic Relay - I started to have a playable and somewhat fun game. At this point, I got really excited, and became convinced I had something with great potential, and that I just needed to reel it in with extra effort and polish. Already, I was imagining the main hook of the game - a roguelike where the items in your inventory were sentient, and where the most powerful of them all could use you just as you used them.

And then, from this moment where I decided I actually wanted this game to become a thing, the hard stuff started. I wanted a new branch with gravity and turn-based platforming, and after copious quantities of spacetime violations, I did that. I wanted a boss fight at the end as a climactic finale, and of course, in the fickleness that characterizes the way I approach any project, I immediately wanted one that was a giant multi-tile robot snake with pushable "code" blocks that modify its behaviour. Nothing easier, nothing simpler. And so, I embarked on my quest to make Epsilon a reality, half-laughing half-lamenting every single time it would phase through walls, separate its body into multiple independent chunks, or even use its tail as a hula-hoop. Every time I wanted to give up, I reminded myself: "still, though, a robot snake would be really cool". After about a month, the battle was complete, and with it, my motivation to continue working on the game.

I did not write a single line of code for a month, but my daydreams were still haunted with visions of impossibly tall gaseous towers and robotic snakes, refusing to fade away. So, I came back.

And I subjected myself to the horrid task that was reworking my map generation code (made by someone who copy-pasted lines from a tutorial and occasionally added some unthinkable if-else monstrosities). I rebuilt it from the ground up, locking my browser in endless loops and turning my laptop into a localized micro-sun. Which brings us to today, where I am now obsessed with my new sixfold Caste system, which I won't go as in-depth on as it was literally the topic of a very recent Sharing Saturday post.

"Six castes is five too many. Psychic proficiency depends solely on Collectivist refinement, and the depths at which the Harmony understands the intricacies of propaganda, persuasion and re-education. I trust you have represented our position within your game as the unequivocally correct one, yes?"

To a level that preserves the player's agency. That means, anything but "unequivocal".

"Preposterous! And what even are these visuals? How dare you condense Harmonic poise into 16x16 pixelated PNG files?"

Of course, if the player were to view your true form, honoured Collectivist, they would be unable to play the game, stunned by your splendor.

"Fu. You are forgiven, just this once. Partially. What purpose does your blasphemous creation even serve, if you are to mangle the Harmony's image?"

Mostly raw, primordial self-expression. My mind is full of strange creatures and I wanted to give them a place to live in. That does not mean I have no specific vision - I know relatively well what I want the finished product to look like. In the coming weeks/months, I am particularly excited about the complete rework of the Harmonic Modulator system.

2023 Outlook

"Ah, perhaps there is some substance to your ramblings after all. Do tell me, how do you plan to democratize access to the Collective's proudest creations? I hope these artefacts will be treated with the tact and elegance they deserve."

Harmonic Modulators, and the Serene Souls that accompany them, will be TGFP's take on the infamous roguelike trope of cursed items. Unlike the -10 Cursed Mace of Alt-F4, I want these to be powerful and desirable... but also insidious. In short, once a Serene Soul will be stuck to your character's mind, each use of its power will further deepen your grave, corrupting your inventory from the inside and gradually making you dependent on continued usage of the Serene Soul to survive. I will ensure these can be used responsibly, and even be a great asset to disciplined players, but I also want imprudent users to become the victim of swindlers across the dungeon charging exorbitant prices - paid in Souls, of course - for pruning Serene Souls. Or, perhaps they could surrender, and continue playing despite their forceful enlistment in the Harmony's forces. The idea of losses not spelling immediate doom is already a core design philosophy of TGFP, so why not push that to its limits?

I adore this idea of a powerful cursed item that sounds innocuous at first, but creates a chain reaction that eventually forces your run to revolve around it. Making the Harmony faction have some unique infectious-themed loot has always been a core part of my vision, but this particular rendition overjoys me beyond words.

As for other random 2023 projects, I also want to increase terrain variety and present new interesting positioning challenges in narrow hallways or geometric rooms, which will probably demolish my current map generation set-up with the fury of a thousand fatal exceptions. More encounters are also on the list, such as sacrificial shrines to sacrifice Souls in for bonuses, mini-boss elite-style enemies, and perhaps a new boss fight woven from ideas I've been toying with recently... It will involve defending a capture point instead of trying not to die yourself.

Additionally, my game diverges from classical roguelike tropes in more ways than one, and would greatly benefit from extra tutorializing. However, the last thing I want is an immersion-breaking sequence of handholding and pre-fabricated challenges with text such as "You can move left by pressing the button with a left arrow on it!" I have been cooking up ideas for a new NPC character to greet new players... and to start the game off with a bang while simultaneously teaching the basics.

Finally, despite my utter lack of drawing skill, I want to make the game's visuals look the best they can be despite my limited means, with a UI that fits the glyphic style and achieves a sort of minimalistic elegance. And a cool title screen logo. I'm not sure what I'll do about the text (a nicer font would be a huge improvement, for starters) but I'd be glad to replace the resource numbers in the sidebar with something a little more mystical, but still easy to read. As controversial as it is, I really like DCSS's philosophy of showing various statistics as "Evasion:+++++" to discourage tedious calculations and metagaming.

"That is a lot of talking you are doing. And not a lot of developing. In the time it took you to write this post, I would have been able to make your entire game three times over. With DLCs. And cosmetic skins. And lootboxes. And a battlepass. But for some reason, you requested that I be here to listen you ramble about your unimportant matters. The Harmony's time is not free, ruffian."

That is correct. This post has gone on long enough. I look forward to discussing these points in future Sharing Saturdays - the weeks to come are bright, and my soul is filled with excitement!

"Perhaps it should be filled with the Harmonic Song instead."